Tuesday, February 4, 2014

he Socio – Historical Contextualization of Reggae music in Jamaica by Denisha M.



The political dimensions and economic devastation following Jamaica’s independence from Great Britain in 1962 were the conditions through which Reggae was born and thrived. The two political parties warring for power under the newly independent island nation were the Jamaica Labour Party (JLP) and the People’s National Party (PNP), the first taking up a more conservative ideology and the latter had a more socialist lean. The relationship between music and political, religious and global dimensions speaks to the rise of reggae music as a music of the people.
            Jamaican’s independence was not all that the people had expected as they were still confined to the economic infrastructure of the former governing body. Many of Jamaica’s working class found themselves at the mercy of warring political parties who controlled many aspects of their lives including their jobs and where they lived. In opposition and defiance of these conditions the people took to the streets, invading public spaces and defining social norms of propriety and responsibility. The music filling the streets and the beats and lyrics spilling out from the booming speakers spoke directly to the people and their feelings towards their own situation and their perceptions of the nation itself.
            The abolishment of slavery saw the rise of new political figures such as Jamaican born Marcus Garvey who advocated solidarity among Africans from all backgrounds and supported the idea of a mass migration back to Africa. After his fall many of his followers took this advice to heart and looked to Ethiopia for their new leader specifically newly crowned emperor Ras Tafari later renamed Haile Selassie. With this elusive leader at the head Rastafarianism grow in Jamaica and inspired new musical achievements. Rastas as they came to be known soon found themselves caught in political strife when aspiring political figure Seaga, a former music executive, in his desire to establish a JLP platform took violent action against Back – O – Wall, a ghetto with a heavy population of PNP supporters. He decimated the neighborhood, burned it to the ground and repopulated it with hired guns (Chang p. 25 – 26).
            While nowhere near economically sound the island nation did not hit heavy times until they became the focus of external investigation by the CIA. Before this political figures such as Michael Manley implemented many useful changes such as “lowering the voting age to eighteen, making secondary and university level education free and establishing a minimum wage” (Chang p. 31). It was only when Manley began making plans to establish relations with Cuba and exhibited a desire to form solidarity with other African nations that the CIA took an interest. This led to a decrease in aid from First World Nations and pushed Jamaica further in to debt, with their total owed doubling to 2 billion in just five years. After being denied loans from many North American banks, Jamaica was forced to accept loans from the IMF.
            The IMF contract called for a short term repayment plan which didn’t allow for Jamaica to establish their own stable economy. The stipulations imposed on the loan were all but crippling, it led to the closing of many schools and hospitals, the devaluing of the Jamaican dollar and an economy based on tourism which gave back nowhere near the return in profit compared to the resources it used.
            Reggae music was created to be a voice for the people to cope with and vent about the harsh conditions of their lives. They took to the streets and congregated in mass parties to release from the difficulties of the day. They took up public spaces where other areas where other spaces such as work and living spaces were very much controlled by the political happenings.
           
           

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